NATHANIEL RATELIFF PREMIERES NEW SONG “REDEMPTION” TODAY

FEATURED IN FORTHCOMING APPLE ORIGINAL FILM PALMER, STARRING JUSTIN TIMBERLAKE

Photo: Rett Rogers

Today, Nathaniel Rateliff premieres “Redemption,” a new song the acclaimed singer-songwriter wrote for the forthcoming Apple Original film, Palmer. Premiering globally on January 29, 2021, exclusively on Apple TV+, Palmer stars Justin Timberlake (The Social Network, Bad Teacher, Alpha Dog), Alisha Wainwright (“Raising Dion,” “Shadowhunters”) and Juno Temple (The Dark Knight Rises, Atonement). The film, directed by Fisher Stevens (Stand Up Guys, Before the Flood, The Cove), tells the story of former high-school football star Eddie Palmer (Timberlake), who went from hometown hero to convicted felon, earning himself twelve years in a state penitentiary. He returns home to Louisiana, where he moves back in with Vivian (June Squibb), the grandmother who raised him. While trying to keep his head down and rebuild a quiet life for himself, Palmer is haunted by memories of his glory days and the suspicious eyes of his small town community. Things become more complicated when Vivian’s hard-living neighbor Shelly (Temple) disappears on a prolonged bender, leaving her precocious and unique 7-year-old son Sam (Ryder Allen), often the target of bullying, in Palmer’s reluctant care. In time, Palmer is drawn into a more hopeful world as he forges a connection with Sam through their shared experience of being made to feel different by those around them. Life improves for Palmer, and a romance develops between him and Sam’s teacher Maggie (Wainwright). An inspiring and unexpected journey unfolds for the three of them, but soon Palmer’s past threatens to tear apart this new life.

Rateliff’s ballad “Redemption” is featured in both the film and its trailer. Listen to “Redemption” HERE and watch the Palmer trailer HERE.

“When I was first asked to write a song for Palmer I was told what the film was about and where the song was going to be used. The melody and the opening line came to me immediately. But it wasn’t until I had a conversation with Justin [Timberlake] that helped me to put the song together. He said the film was about redemption. I saw that in the characters and did my best to add to the scene in the film,” notes Rateliff.

The release follows a monumental year for Rateliff whose latest solo album And It’s Still Alright, which was released in February on Stax Records, debuted to critical praise. Most recently, NPR’s World Cafe ranked lead single “And It’s Still Alright” #1 on their list of “Public Radio’s Most Popular Songs Of 2020.” In addition, the album peaked at #3 on iTunes’ “Top Albums” chart, debuted at #1 on Billboard’s “Americana/Folk” chart, landed at #2 on their “Current Rock” chart and resided at #1 on the Americana Albums Chart for eight consecutive weeks. “And It’s Still Alright” was #1 for eight consecutive weeks at Triple A Radio, #1 for nine consecutive weeks at the Americana Singles chart and #1 for three weeks at Non-Commercial radio. “Time Stands” also peaked at #1 on the Americana Singles chart and is currently in the Top 5 at Triple A Radio. Rateliff also performed on “The Tonight Show Starring Jimmy Fallon,” “The Late Show With Stephen Colbert” and “Jimmy Kimmel Live!” Fans can purchase And It’s Still Alright HERE.

And It’s Still Alright continues to receive widespread acclaim:

“Nathaniel Rateliff returns, this time as a solo artist, with what may be his best batch of songs yet.” — NPR All Songs Considered

And It’s Still Alright is stop-what-you’re-doing beautiful.” — Evening Standard

“In the end, what could be an album of well-earned indulgence ends up being as much about reaching outward than burrowing inward, rendering deep personal suffering with a humane light touch. And It’s Still Alright [is] the heartening sound of music pulling him through his pain, and, hopefully, past it into something like solace.” — Rolling Stone

“The result is a set of compositions of intense power, and an album that reaches multiple emotional crescendos, from grown male grief rarely expressed in contemporary song to varying degrees of regained equilibrium.” — The Wall Street Journal

“…his new solo work takes him in a gentler acoustic direction, which is echoed across his upcoming album. His baritone has a lovely, ragged edge.” — TIME

“A great excuse to shut out the world and have a good cry.” — Uncut

 

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